© Noel Rands 2022
My transfer to Hong Kong from London in 1990 was not a happy affair. When I arrived I was told I had 6 months to prove myself in Private Banking, was offered an inferior flat, was not invited to join the General Manager’s inner sanctum (they met for coffee each morning at 10 in his office with me excluded) and, having been told I was irreplaceable when I left Cairo
and also Bombay, I felt incredibly alone. So, head down and get on with it. A meeting after 6 weeks which included management from HSBC surprised them with my progress. On one occasion I’d invited out a well off friend to dinner, who was considering a Trust (very profitable) and so I took him and a close friend of his to dinner at the exclusive Hong Kong Club, where I had reciprocal membership for 3 months with the Travellers Club.
I decided the Bank could pay for the meal and I would pay for the wine; and ordered two bottles of Chateau Latour. My guest was extremely pleased. Vaman was invited also as my friend
liked him. I got a nudge. “Noel. Noel! The wine is older than I am!” It was a 1967 Chateau Latour and Vaman was born in 1968.
I had been given an introduction to Garrison Players and was invited to an audition for ”Black Comedy”. Curiously, years before I had met the actor Michael Crawford on the Queen Elizabeth when I was travelling back as a passenger, having left the Caronia in New York, and he had been playing the role I was auditioning for on Broadway. He was then married to Gabrielle Lewis, the daughter of a Surgeon Rear Admiral in the Royal Navy, and with a small daughter who was being cared for by a nanny; she had been a school friend of Gabrielle’s and was slightly acerbic about the Crawford family when I met her over a drink. They invited
me to see them in the UK, an invitation I never took up. We had meet in an unreal world with me being a floating bank manager travelling 1st Class on the Queen Elizabeth but on dry land I was a bank clerk. We never met again and afterwards Gabrielle left Michael for a Chelsea footballer. He never remarried.
Anyway, I got the part, a camp antique dealer! Lighting is reversed. The play starts off with the stage in darkness and there is a power cut so the lights come on but the actors have to pretend it is dark; if you see what I mean. We took the play around various clubs and also rehearsed for a Noel Coward trio; I was playing the Lord Mountbatten type role in “Hands across the sea” (After the camp antique dealer, I like to think I had range!) At one stage we were alternating the two plays at different venues and I felt terribly professional. “Lady Mountbatten “ asked if I was going to the Hilton for an audition for “To be the best”, a TV film
based on the Barbara Taylor Bradford novel (I had met her and her husband on the Queen Elizabeth and they were charming. On another trip I had chatted to the writer Rebecca West at the Captain’s Reception. She told me that she had always wanted to visit Mexico so had got the Sunday Times Magazine to commission an article from her. She said her real name was Cecily Fairfield but that sounded too light for a serious novelist so she became Rebecca West. Famously she had been the mistress of H G Wells but, using tact for once, I thought it best not to mention it!)
The audition went well and I was offered a part. I took a day’s leave and Lady Mountbatten (actually Olivia Keith Mitchell) and I reported for duty at the Police Club swimming pool to meet the Director plus the British Actors Christopher Cazenove and Stephanie Beecham. The four of us had lunch together and gossiped. I was told I had to play tennis in the court
behind the swimming pool and had a large receiver stuck down the back of my shorts which I was scared would fall down. I had not played tennis for decades and then with a wooden racquet, When I picked up this fibre thing I couldn’t get over how light it was. Anyway, I batted away ineffectually in the background while one scene was shot and before the scene with the two Brits sitting by the pool. I had received a script and thought it prudent to learn the words. The scene was shot in one take and I was thanked and, later, paid HK$8,000 for the day’s work. The TV series appeared in the UK and also in India where a friend said she
had watched it and recognised my voice. That is strange as the scene I had done was dubbed and not by me!
Later Midland and I parted company; the office was being closed and I was being transferred back to London and to my old job which had been changed considerably since I left. I refused to go and took Early Voluntary Retirement. “Noel, no Midland Bank man has ever retired in Hong Kong” so I said “Well, I will be the first!” It was strange experience. I had known only the Midland Bank since I was 16 with every day mapped out. Now I was on my own. I had moved into a better flat eventually and there was
an 18 month lease which couldn’t be cut short so Midland said I could stay there for 6 months. In the November, I’d been interviewed by the South China Morning Post magazine and there was a 4 page spread of me in my flat with my art collection. Midland had told me I was inheriting the furniture of a colleague for my newly built flat but, on the Friday before I was due to move in, my boss told the ex-colleague she could have it for a knock down price.
On the Saturday I rushed out buying what I could and on the Monday flew to Jakarta on a business trip leaving Vaman in a flat with 3 beds, a kitchen table and two chairs plus paintings. I got back on the Thursday and, with the Chateau Latour friend, bought the rest of the furnishings. Two weeks later I hosted a party for the visiting Maharajkumar of Kapurthula (Mapu) plus my dear friend Mario Miranda from Bombay; Mario was a famous Indian cartoonist. “Mapu” was the Chairman of The Indian National Trust and Cultural Heritage (INTACH) and his name brought in a load of local dignitaries to the Reception for him in my flat (as did Mario). HSBC agreed to do the catering and the owner of a high class art gallery congratulated me on the quality of the guest list. Suddenly I was A list which didn’t improve my standing with the General Manager (I had arrived with a personal introduction to Sir David Wilson, the Governor of Hong Kong, and a colleague advised me not to take it up as it would upset the General Manager!)
I called in at an art gallery and was recognised from the magazine article. The owner told me he needed pictures transported so I asked if I bought a van, would he give us the contact? He agreed (it never happened) and so I bought a van from HSBC, the previous owner of which had defaulted on a loan. It had windows and so we could go into parts of Hong Kong prohibited to vans before 10am. From being “Regional Manager Asia, Private Banking” I became a van drivers assistant for “Vaman the Carman”. We transported washing machines, rocking horses, the contents of flats and once a piano. I should mention that a colleague got
me an interview with Standard Chartered but my self-confidence had been wrecked after my treatment at Midland and I blew the interview (Who on earth would want me? What use am I?” I thought). Somebody else asked if Vaman and I would cater for a party and so also we became “Curry Favour” doing meals for junk trips and dinner parties. The smallest we did
was 2 and the biggest was 70. Olivia persuaded me to sign up with an agent and arranged for me to have some “8 x 4”
done by a local photographer. I lodged them with “Irene’s Models” “Cat Walk Models” “Calcarries” and others and work started arriving. In all I was in about 50 odd commercials for newspapers, magazines, on the walls of underground stations and television. Plus films.
I had joined “Partners in Crime” which did dinner theatre. With Garrison Players that means a complete play but here you were joining people having a meal and playing a part, chatting to them as they ate. “And is this your first wife?” usually got a laugh. During the course of the meal there were staged events and then suddenly a body was found or a painting stolen and the audience had to guess who was the murderer/thief for a prize. As we were going from club to club that meant a different murderer each time; the script was flexible. “He deserved to die!” I screamed at one club. Great fun. We had done one at the Ladies Recreation Club on the Saturday night and I had been booked to take part in a film at Sai Kung, the Gurkha camp, on the Sunday morning reporting to the Golden Harvest film studio in Kowloon at 7am. I got lost; my pager was going off “No-well, where are you”. In panic I stopped a police car for directions, and they escorted me to the studio. Into a bus, over to the camp. “Name” “No-well” (as the Chinese called me) and I am handed the uniform of the Commissioner of Police for Hong Kong. Strangely, nobody has asked for my measurements and it was more than a bit tight. “You are Jackie Chan’s boss”.
The film was called Supercop and Jackie Chan was playing an undercover policeman. He was really friendly. He chatted to us bits and piece players and told us that when he had first gone to Hollywood for Cannonball Run his English wasn’t very good. So his coach hammered into him “What is your name?” “Jackie Chan” “Where are you from?” “Hong Kong” over and over again. He said he was so nervous, if he got into a lift in the Beverley Hills Hilton, if someone else got in, immediately, he would bend down to pretend to do up his shoelaces. He had seen Dustin Hoffman in the dining room so asked his minder how he could order breakfast. “They agreed on “Eggs, toast, orange juice, coffee” The waitress arrived and confidently he ordered. She said something about the eggs and in confusion he said “OK. No eggs”. When he got back to his room, in despair he said to his minder “She said something about the eggs” He responded “Did she say, how would you like your eggs?” “Yes! That’s what she said”. “Just say Sunny side up” Next morning he was back and ordered “How would you like your eggs?” Beaming smile and “Sunny side up!”
Having been asked to report to Golden Harvest at 7am I was called at 3pm for my scene.
No script had appeared. I’m sitting at a table of policemen, in my tight uniform, scared that the buttons would burst, and am given a line in Cantonese. I apologised and said I didn’t speak Cantonese and nobody has asked me if I could. They asked me to try phonetically: I tried, they shuddered. The director turned to one of the other policemen (who was played by Philip Wong who was an ex-policeman) and asked what it would be in English. He thought and said, “This is job for a very special kind of policeman”. Well, I could manage that. I was told to get up and, as I left the room, pause by Philip and whisper “You fix it!” Jackie Chan wasn’t happy with my walk, which was too stiff and he demonstrated jauntily how it should be done. I though “It’s OK for you; you can breathe out!) A South African friend of mine ran “Showreel”, a company in Hong Kong that edited films. He said to me “My God, Noel I’ve just edited Supercop” and you were terrible” I commented that if I had been given a uniform that fitted and offered a script in advance, maybe I could have been better. Anyway, it didn’t end my film career as more followed, including another with Jackie Chan where I played Chris Patten, Governor of Hong Kong. When the pool of English actors is thin, one is always in with a chance. Or, to put it another way, “Anyone can shine in a bucketful of…………..!”!
Noel Rands
15th May 2020
© Noel Rands 2022