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© Noel Rands 2022

In a previous Blog I mentioned the frisson of fear when you are on stage and the curtains open. It’s different in a film. Maybe like the difference in being a bowler or a batsman in cricket. As a bowler you get a second chance but as a batsman, when you are out that’s it! On stage, you forget a line and there is the humiliation of the prompt when your error is revealed to an entire audience. In a film, you can start again.

However, there is still that hint of excitement when, for example,  when you hear “Lagaan, scene 32, Take one.  Roll camera, roll sound,  (Clapper Board with scene number and take number snapped in front of camera),  andddddddddddd  Action!”   followed by “Cut”! when you are filming a scene in the open air, supposedly in 1890, and a jumbo jet flies overhead. It is said that there is a scene in Ben Hur when this does happen! I liked Alfred Hitchcock’s “To catch a thief “ with Cary Grant when he is sitting in a boat and wearing a red scarf with large white  polka dots. If you follow it carefully you will see how the dots move around. What happened to continuity?

A scene can take a long time and for a good reason. Take a scene when you and I are talking. The scene is shot over my shoulder, again over your shoulder and again facing both of  us. That means it is shot three different times. I once did an advert for Fishermen’s Friend Lozenges and they shot it so 30 odd times up to 2am and each time I had to suck a new lozenge; I’ve never been able to touch one since. I was soooooooo tired having been there since 8pm and been sitting around for 5 hours. They shot a scene with a dog first and I was slightly put out that the dog took priority over me.

On one occasion in Hong Kong (and I apologise to those of you of a sensitive nature) I was in a commercial for “Park and Shop” where “Mrs Wong” was demanding air conditioned glass houses so that her salad products arrived for the customer in pristine condition. I was a “Director” of the company and was sweating at the amount of money this would cost. They shot me in close up, a few seconds take, and there was the make up girl,  a man to put the glycerine on my forehead to look like sweat, another to take it off again after the shot, The Director, his assistant, The sound man, the lighting man, the clapper board boy and heaven knows who else to shoot this tiny scene. Looking at this huge company (and I have to forget[NR1]  when I am watching a film at the crew involved) I asked the Director how it was possible to make porn movies. How does the “gentleman” maintain his level of interest in a supposedly intimate scene with so many people watching? He said a friend of his did some in L A and they tried to shoot early in the morning before interest dropped!

Films were lovely but adverts were better. There you are booked by your agent for 4 or 8 hours, plus overtime if it runs over, whereas for films it is by the day for a set sum and you can arrive at 8am but maybe not called before the camera until 3pm.

Once I was in a bar in Hong Kong, chatting to a friend who said to a man who had just come in “Hi. Do you know Noel?” He said, “No. But I’ve seen him on television”. For a moment I felt so important. Now I am totally unknown but maybe being a Granddad is far more important, as the following piece shows. (By the way, Granddad is how the boys like to spell it!).

At least I am on Google. If you look up “Noel Rands” or “Noel Lester Rands” it gives details of my fleeting fame!

Noel Rands

Secretary

The British Egyptian Society

© Noel Rands 2022